Today's story begins at the Museum D’Orsay in Paris in 2013. I am admiring Van Gogh’s painting of Starry night. The picture to go with the story is in the pew sheet. I am deeply moved. In fact, there are real live tears because I know the story behind this painting and I know the story of this man.
Vincent van Gogh painted Starry Night in 1889 during his stay at the mental asylum of Saint-Paul-de-Mausole.. Van Gogh lived well in this hospital; If attended, he could leave the hospital grounds. He was allowed to paint, read, and withdraw into his own room. While he suffered from the occasional relapse into paranoia and fits, it seemed his mental health was recovering.
Unfortunately, he relapsed. He began to suffer hallucination and have thoughts of suicide as he plunged into deep depression. Accordingly, he returned to incorporating the darker colors from the beginning of his career and Starry Night is a wonderful example of that shift.
Van Gogh suffered from psychotic episodes and delusions and though he worried about his mental stability, he often neglected his physical health, did not eat properly and drank heavily. His depression continued, and on 27 July 1890, Van Gogh ended his own life.
This painter was unsuccessful during his lifetime. He was considered a madman and an abysmal failure. But…
“He transformed the pain of his tormented life into ecstatic beauty.”
In our gospel Our Lord makes the distinction between living physically in the world and living according to the world's standards.
One is the geographical place where you happen to eat, sleep, walk, talk and live. Your physical, touchable, tangible world. The other is your spiritual and moral world and life. Your relationship with God. The world where you dwell in God and He in you. That house with many rooms.
To the art world of the time and his contemporaries Van Gogh was not understood and never celebrated. He was not of this world. But perhaps in his delirium and his illness he was more closely aligned with the divine and creative skill of God than what we could ever understand.
And I can’t help wondering who it might be that is living amongst us today that is misunderstood, misaligned, mistreated and mistrusted; that will be rejoiced in and marvelled over, in a hundred years time.
The contrast between the two worlds; the physical, outward, touchable one which must inevitably pass away… and the spiritual, inward, divine world… is spectacular. For the outward world, the highest ideals are power, prestige and control. For the spiritual world we aspire to service, humility, gentleness, love and sacrifice.
Todays gospel is from John 17. At the start of that chapter Jesus says
“Father, the hour has come. Glorify your Son, that your Son may glorify you.
“The hour” that Jesus refers to is the hour of crucifixion. The “glory” He is referring to, is his mangled death.
And to this disfigured figure of love we turn our thoughts, our hearts and minds again. To be inspired and so to emulate The masters love for us once more.
“He transformed the pain of his tormented life into ecstatic beauty.”
So Van Gogh is my hero not just because he was ahead of his time, not just because he was a clever painter. I admire him because he was able to use his inward torture to offer the world something precious and enduring and lovely.
There are times in our lives when it is sweetness, light, honeymoon, champagne, liqueur chocolates, roses, sparkle and dancing. And that’s right,… we ought to celebrate those times and dance like someone who has had a strawberry milkshake or six.
But there are also times when it is dark and brooding and there seems no way out, or no way forward. The ache continuously sears us and it will not go away.
Then like Van Gogh and like our Lord on the cross, we use it to God's glory. We do this simply by offering our torment to the Master. We learn that this is the most authentic and legitimate form of prayer we will ever attempt.
Perhaps it will help to finish with some stolen words. The person who wrote these words was speaking about Van Gogh, but they could just as easily be speaking about another wild man … the Master craftsman who roamed the dusty streets of Palestine.
“Van Gogh is the finest painter of them all. Certainly, the most popular great painter of all time. The most beloved. His command of colour, the most magnificent. He transformed the pain of his tormented life into ecstatic beauty. Pain is easy to portray, but to use your passion and pain to portray the ecstasy and joy and magnificence of our world. No one had ever done it before. Perhaps no one ever will again. To my mind, that strange, wild man who roamed the fields of Provence was not only the world's greatest artist, but also one of the greatest men who ever lived.”